Matron of Ancient Times
Dressed modestly in multi-layered fringed cloth draped diagonally around her pregnant body, this horned matron is no breaker of custom, as her decently chainmail-veiled face profess (bared flesh in public is the lot of concubines, temple harlots and women captured as war booty, and finally priestesses - held in awe - whose mysterious female powers are expressed through an assertive sensuality in their manners and appearance alike). Rings in the ears and around the fingers of the matron add a glitter to her rotund person, while a towering hat underscores her married status. Her prestigious position as a fertile mother is visible in the nine pteruges hanging from the backside of her hat, and indeed a similar triangular end decoration as on the family pteruges is strung on a necklace hanging from the throat of each of her children who has not yet passed into adulthood as per the ancestral rites. Note the childhood hat of her son, and the beard which is uncoiled since it is a privilege of adults only to curl their hair and whiskers.
The headgear of the matron is large, yet its form is different from male hats, and likewise unlike the masculine (and priestess) counterparts the feminine headgear is not proudly erect, standing straight up on the head, but is instead softer, backbending and receptive in shape. Her hat sports zigzag decor and pearlwork alike, and flanked by lightning bolts striking the ground rise a stylized palm ornament, in flames. This bears connotations of fertility, growth and plenty, but also of destruction, ashes and power.
The frontside of her hat is starkly adorned by a cracked skull, a constant reminder of both mortality, the work that needs to be done and the children that needs to be bred and raised. The cranial ornament upon the head of this lady is likewise a symbolic reminder for all men of the importance of defending one's tribe and precious womenfolk. It is also a mark of warning to any slave who would think of assaulting her. Behind the skull rise a a metal plate, inscribed with incantations, frequently replaced with different bronze plates bearing script as the seasonal ceremonies require. Above the runic plate sits the flat face of a potent demon of myth, bound to her will and facing the sky in order to ward off fell spirits and criminal hat-snatchers alike. The crenellated wall sitting above the demonic visage is not accidentally placed that way, for it is in fact an invocation in images for any assailant of the city walls to perish, a baleful curse upon both attackers outside the fortifications and revolting slaves within. The stretch of miniature walls and towers is likewise a proclamation of her kin's strength and endurance, as well as an announcement of the harshness needed for order to keep out chaos if civilized life is to survive.
And last but not least the crowning fortifications act as a reminder for all menfolk that should the towers be toppled and the walls fall like a downstruck hat, then their wives and concubines will become nothing but spoil for the conqueror, and their mothers and daughters will also be ravished, as is the way of mortals since time immemorial.
"You hit them hard over their heads like this, little Kralbuknezhur."
Refence material for the the sculpting of these models.